About

Steamroller exists to breathe life into stories, characters, and experiences in visual, physical, and virtual spaces. Each project that comes our way, be it a game, a film, or a theme park ride, exists in its own universe. It is our job to bring this multiverse to life. Our animators build believable characters and whole worlds in a multitude of universes, while our developers manipulate the rules of perception to transport you to a new definition of reality. We relish the opportunity to bring our clients’ universes to life while also developing our own stories.

Latest News

Press enter to begin your search

Hal Miles

Steamroller Studios / Hal Miles

Hal Miles

Logo

Director

Kissimmee, Fl

HAL MILES

912.414.3863

www.halmiles.com   iaahalmiles@netzero.com

www.imagimationstudios.com   halmilesimagimationstudios@gmail.com

________________________________________________________________________

 

INTERNATIONAL AWARD WINNING

PRODUCER, DIRECTOR, ARTIST, TECHNICIAN, AND EDUCATOR

Film     Television     Theme Park     Academia

_______________________________________________________________

 

TESTIMONIALS

 

 

“Working again directly with you as we have in the past on other projects has been a real pleasure. I have enjoyed seeing your work grow and develop over the many years and know that it will continue to do so.

All my best and good luck and I wish you well for the future.”

Ray Harryhausen: Stop Motion Animation and Visual Effects Legend of Clash of the Titans

and Jason and the Argonauts

 

“I wanted to express my appreciation for all of the world class work that you contributed to Terminator 2

and on the Terminator 2 3-D Universal Attraction , at Stan Winston Studios. I was extremely at ease

knowing that the animatronic sections of the film were in great hands just as they were when we

worked together on The Abyss. Thanks for your dedication and hard work.”

James Cameron: Director of Avatar, Titanic, Terminator 2, and The Abyss

 

“The Savannah College of Art and Design has achieved an outstanding reputation for preparing talented students for careers and having such prolific faculty member like your self is a great inspiration to our

students, to be sure, and to the entire Savannah College of Art and Design. Thank you for your

contributions in building this internationally renowned university for the arts. Your continued efforts

will ensure that our college’s future will shine even brighter than it’s past.”

Paula S. Wallace, President and Co-Founder, Savannah College of Art and Design

_______________________________________________________________

 

PRODUCER & DIRECTOR PROFESSIONAL HIGHLIGHTS

 

–  Co-Produced and Directed through Walt Disney Studio’s, four “waiting to board” travel commercials

for the original Disney theme parks attraction Star Tours.

 

–  Produced and Directed for Twilight Zone,The Movie a recreation of the original television opening

title sequence for Warner Bros. Studio and Steven Spielberg.

 

–  Stop Motion Animation Director and Animation Puppet and Replacement Animation Design and

Fabrication Supervisor for Apogee Effects on a total of 12 Pillsbury Doughboy commercials in 1991 and

1992.

 

–  Produced and Directed for Walt Disney Studio’s The Disney Sunday Movie opening for the Disney

Sunday night television series of the same name from 1986-1988.

 

–  Produced and Directed for Walt Disney Studio’s the Disney Home Video logo used on all Disney VHS

Home Video releases from 1985 to 1994.

 

 

 

 

 

–  Produced, Directed and Supervised the Animation for the Siggraph 2003 Conference opening, closing,

and segway title sequences and 73 individual animated short credits for the Electronic and Animation

Theaters presentations.

 

–  Produced, Directed, Wrote, and Animated in 2007 the internationally recognized and award winning stop

motion animated short The Madness of Being.

 

–  CEO, Chairman, and Co-founder of the 501(c)3 Non-Profit organization Animation Hall Of Fame, Inc. in 2011.

 

–  Co-Produced and Directed the Savannah International Animation Festival in 2010.

_______________________________________________________________

 

ANIMATION PROFESSIONAL HIGHLIGHTS

 

–  Executive Producer, Producer, Director, Writer, and Stop Motion Animation Supervisor for the television

series development project Zombie Soup.

 

–  Executive Producer, Producer, Director, Writer, and Animation Supervisor of the animated feature film

development project The Amazing Dingle Brothers Circus.

 

–  Invented and engineered, while project supervisor at the Savannah College of Art and Design, the first 24P

stop motion animation process to digitally photograph conventional stop-motion animation in the 24P

digital format.

 

–  Invented and software engineered the first stop motion animation process to digitally photograph

conventional stop-motion animation.

 

–  Producer, Director, and Animation Supervisor of the internationally award winning Nike Japan

“Basketball” commercial.

 

–  Co-Producer, Co-Director, Co-Writer, and Stop Motion Animation Director for the CBS Television

Network television pilot The Wacky World of Big Daddy Ed Roth.

_______________________________________________________________

 

VISUAL EFFECTS PROFESSIONAL HIGHLIGHTS

 

–  Digital Freelance Compositor on the multi Academy Award winning, including visual effects, ground

breaking motion picture Titanic.

 

–  Staff Digital Artist and Compositor on the motion picture Contact.

 

–  Staff Digital Artist and Compositor on the Academy Award nominated motion picture Starship Troopers.

 

–  Invented, Engineered, Built, Programmed and Operated the first multi axis Omnimax motion control

camera and model mover system for the production of model, streak and slitscan photography.

_______________________________________________________________

 

ANIMATRONIC & CREATURE EFFECTS PROFESSIONAL HIGHLIGHTS

 

–  Co-Animatronic Supervisor and technician of several animatronic sections for the Academy Award

winning film Terminator 2 and Universal Studios Terminator 2 3-D attraction including the T-800 Robots.

 

–  Supervised, designed and fabricated unrealized animatronic talking Arnold Schwarzenegger battle

damaged head for the Universal Studios Terminator 2 3-D attraction queue line.

 

–  Supervised and invented underwater radio controlled NTI Alien animatronics for Academy Award

nominated film The Abyss.

 

–  Refurbished through Walt Disney Imagineering Glendale the Haunted Mansion Owl characters for the

Disney theme parks attractions.

 

–  Refurbished through Walt Disney Imagineering Glendale the Enchanted Tiki Room Jose characters for

the Disney theme parks attractions.

 

 

–  In 1988 Animatronic Supervisor and Designer of several sharks for the James Bond movie License To

Kill.

_______________________________________________________________

 

EDUCATOR HIGHLIGHTS

 

–  Over a period of ten years I had the pleasure of teaching and passing on to almost 1600 under graduate

and graduate level students my professional knowledge and the principals of animation, visual effects,

and animatronics at the Savannah College of Art and Design.

 

–  Created and developed new undergrad and grad level courses for both the visual effects and animation

departments of the Savannah College of Art and Design.

 

–  Oversaw from 2003 to 2011 the stop motion animation division of the Savannah College of Art and

Design’s animation department.

 

–  Curated and organized in 2009 at the Center for Puppetry Arts in AtlantaGeorgia the first Savannah

College of Art and Design Evening of Stop Motion Animation.

 

–  Re-engineered and set up a state of the art 24P digital 12 axis motion control visual effects and animation

camera and model mover system for student use in the visual effects and animation departments.

________________________________________________________________

 

PROFESSIONAL CREDITS

CORPORATE

 

2011 to PRESENT – ANIMATION HAL OF FAME, INC. – INTERNATIONAL NON PROFIT ORGANIZATION

POSITION : CEO, CHAIRMAN, AND CO-FOUNDER

 

1982 to PRESENT – HAL MILES IMAGIMATION STUDIOS INC. – PRODUCTION COMPANY

POSITION : PRESIDENT AND FOUNDER

 

2000-2002 – “THE INTERNATIONAL STOP MOTION ANIMATION INSTITUTE” – NON PROFIT ORGANIZATION

POSITION: CEO, CHAIRMAN, AND FOUNDER

 

1980 to 1999 – MILESTONE PRODUCTIONS INC. – PRODUCTION COMPANY

POSITION : PRESIDENT AND FOUNDER

 

197 to 1979 – ANARAMA PRODUCTIONS INC. – PRODUCTION COMPANY

POSITION : PRESIDENT AND FOUNDER

 

PRODUCER & DIRECTOR

 

2009 – ZOMBIE SOUP ( HAL MILES IMAGIMATION STUDIOS ) – TELEVISION SERIES DEVELOPMENT PROJECT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATION SUPERVISOR

 

2008 – THE AMAZING DINGLE BROTHERS CIRCUS ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE FILM DEVELOPMENT PROJECT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND ANIMATION SUPERVISOR

 

2007 – LITTLE BALL LOST ( HAL MILES IMAGIMATION STUDIOS ) – SHORT DEVELOPMENT PROJECT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND ANIMATION SUPERVISOR

 

2007 – THE MADNESS OF BEING ( HAL MILES IMAGIMATION STUDIOS ) – AWARD WINNING SHORT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATION AND VISUAL EFFECTS SUPERVISOR

 

 

2006 – ROBOT WORK ( HAL MILES IMAGIMATION STUDIOS ) – TELEVISION SERIES DEVELOPMENT PROJECT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATION AND VISUAL EFFECTS SUPERVISOR

 

2004 – ROBO PARK ( HAL MILES IMAGIMATION STUDIOS ) – TELEVISION SERIES DEVELOPMENT PROJECT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATION AND VISUAL EFFECTS SUPERVISOR

 

2003 – THE ANCHORIDE ( MATTE MALONEY PRODUCTIONS ) – ANIMATED SHORT

POSITION : TECHNICAL DIRECTOR, STOP MOTION ANIMATION ARMATURE DESIGNER AND FABRICATOR

 

2003 – SIGGRAPH 2003 CONFERENCE TITLES ( SAVANNAH COLLEGE OF ART AND DESIGN ) – TITLES

POSITION : PRODUCER, DIRECTOR, AND ANIMATION SUPERVISOR

 

2003 – MARK FARR: MARTIAN MAYHEM ( SAVANNAH COLLEGE OF ART AND DESIGN ) – ANIMATED SHORT

POSITION : SPECIAL PROJECT SUPERVISOR AND TECHNICAL DIRECTOR

 

2002 – THE GREEDY GREMLIN ( SAVANNAH COLLEGE OF ART AND DESIGN ) – ANIMATED SHORT

POSITION : SPECIAL PROJECT SUPERVISOR AND TECHNICAL DIRECTOR

 

2001 – RICK AND ROCKY ( SAVANNAH COLLEGE OF ART AND DESIGN ) – ANIMATED SHORT

POSITION : SPECIAL PROJECT SUPERVISOR AND TECHNICAL DIRECTOR

 

2001 – NIKE (HAL MILES IMAGIMATION STUDIOS ) – COMMERCIAL

POSITION : PRODUCER, DIRECTOR, AND ANIMATION SUPERVISOR

 

2000 – “FEEDERS” ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION: EXECUTIVE PRODUCER, PRODUCER, AND VISUAL EFFECTS AND CREATURE EFFECTS SUPERVISOR

 

1998 – ZAP “PUPPET SHOW” ( MILESTONE PRODUCTIONS/DISTRIBUTION ) –

CHILDRENS EDUCATIONAL VIDEO SERIES

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND VISUAL EFFECTS SUPERVISOR

 

1998 – ZAP “THE DINOSAURS” ( MILESTONE PRODUCTIONS/DISTRIBUTION ) –

CHILDRENS EDUCATIONAL VIDEO SERIES

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND VISUAL EFFECTS SUPERVISOR

 

1997 – ZAP “MOVIE MONSTERS” ( MILESTONE PRODUCTIONS/DISTRIBUTION ) –

CHILDRENS EDUCATIONAL VIDEO SERIES

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND VISUAL EFFECTS SUPERVISOR

 

1997 – ZAP “UNDER THE SEA” ( MILESTONE PRODUCTIONS/DISTRIBUTION ) –

CHILDRENS EDUCATIONAL VIDEO SERIES

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND VISUAL EFFECTS SUPERVISOR

 

1996 – ZAP “ZOO DAY” ( MILESTONE PRODUCTIONS/DISTRIBUTION ) – CHILDRENS

EDUCATIONAL VIDEO SERIES

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND VISUAL EFFECTS SUPERVISOR

 

 

 

 

1995 – WACKY WORLD ( HAL MILES IMAGIMATION STUDIOS ) – TELEVISION PILOT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATION AND VISUAL EFFECTS SUPERVISOR

 

1995 – BARBIE ( HAL MILES IMAGIMATION STUDIOS ) – TRADE SHOW FILM

POSITION : STOP MOTION ANIMATION AND ANIMATRONIC DIRECTOR

 

1994 – BIOMORPH ( MILESTONE PRODUCTIONS/DISTRIBUTION ) – FEATURE

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND ANIMATION AND VISUAL EFFECTS SUPERVISOR

 

1994 – PREY ( MILESTONE PRODUCTIONS/DISTRIBUTION ) – FEATURE

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND CREATURE EFFECTS AND VISUAL EFFECTS SUPERVISOR

 

1993 – DINOSAUR ISLAND ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : SPECIAL VISUAL EFFECTS AND  STOP MOTION ANIMATION PRODUCER AND DIRECTOR

 

1993 – DINOSAUR ZOO ( HAL MILES IMAGIMATION STUDIOS ) – EDUCATIONAL SHORT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, STOP MOTION ANIMATION AND VISUAL EFFECTS SUPERVISOR

 

1993 – THE WACKY WORLD OF BIG DADDY ED ROTH ( HAL MILES IMAGIMATION STUDIOS / C.B.S. ) – TELEVISION PILOT

POSITION : CO-PRODUCER, CO-DIRECTOR, CO-WRITER, AND STOP MOTION ANIMATION DIRECTOR

 

1992 – DAY OF THE ECLIPSE ( HAL MILES IMAGIMATION STUDIOS / WARNER BROS. ) – FEATURE TRAILOR

POSITION :  EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, AND WRITER

 

1992 – PILLSBURY DOUGHBOY ( APOGEE MAGIC INC. ) – 6 COMMERCIALS

POSITION : STOP MOTION ANIMATION DIRECTOR, PUPPET AND REPLACEMENT ANIMATION DESIGN AND FABRIACATION SUPERVISOR

 

1991 – PILLSBURY DOUGHBOY ( APOGEE MAGIC INC. ) – 6 COMMERCIALS

POSITION : STOP MOTION ANIMATION DIRECTOR, PUPPET AND REPLACEMENT ANIMATION DESIGN AND FABRIACATION SUPERVISOR

 

1990 – DEMON COP ( MILESTONE PRODUCTIONS/DISTRIBUTION ) – FEATURE

POSITION : EXECUTIVE PRODUCER, PRODUCER, SECOND UNIT DIRECTOR, WRITER, AND VISUAL EFFECTS AND MAKEUP EFFECTS SUPERVISOR

 

1988 – COMMUNION ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : ANIMATRONIC PRODUCER, DIRECTOR, AND PUPPETEER SUPERVISOR

 

1986 – STAR TOURS ( HAL MILES IMAGIMATION STUDIOS ) – DISNEY THEME PARKS ATTRACTION

POSITION : CO-PRODUCED AND DIRECTED FOUR TRAVEL COMMERCIALS THAT PATRONS VIEW WHILE WAITING TO BOARD THE ATTRACTION

 

1986 – THE DISNEY SUNDAY MOVIE ( HAL MILES IMAGIMATION STUDIOS ) – DISNEY TELEVISION SERIES

POSITION : PRODUCED AND DIRECTED THE OPENING TITLE SEQUENCE FOR THE DISNEY TELEVISION SERIES

 

1986 – SPRUCE GOOSE TIME VOYAGER ( HAL MILES IMAGIMATION STUDIOS ) – THEME ATTRACTION RIDE FILM

POSITION : PRODUCED AND DIRECTED THE CONTINUOUS 3 MINUTE ANIMATED TIME TRAVEL MOTION SIMULATOR ATTRACTION RIDE FILM

 

 

 

 

1985 – BASF ( HAL MILES IMAGIMATION STUDIOS ) – COMMERCIALS

POSITION : PRODUCED AND DIRECTED TWO NATIONAL COMMERCIALS FOR THE BASF FARMING SEED COMPANY

 

1985 – DISNEY HOME VIDEO ( HAL MILES IMAGIMATION STUDIOS ) – VHS VIDEO LOGO

POSITION : PRODUCED AND DIRECTED THE DISNEY VHS HOME VIDEO LOGO USED IN ALL DISNEY HOME VIDEO RELEASES FROM 1985 TO 1994

 

1985 – SUCCUBUS ( MILESTONE PRODUCTIONS/DISTRIBUTION ) – FEATURE

POSITION : EXECUTIVE PRODUCER, PRODUCER, CO-DIRECTOR, CO-WRITER, AND CREATURE EFFECTS AND VISUAL EFFECTS SUPERVISOR

 

1984 – THORIZINE DREAMS ( HAL MILES EFFECTS ) – FEATURE

POSITION : VISUAL EFFECTS DIRECTOR AND PRODUCER

 

1983 – SPACE HUNTER IN 3-D ( CREATIVE FILM ARTS ) – FEATURE

POSITION : ANIMATION CAMERA DEPARTMENT DIRECTOR

 

1983 – HEART LIKE A WHEEL ( CREATIVE FILM ARTS ) – FEATURE

POSITION : ANIMATION CAMERA DEPARTMENT DIRECTOR

 

1983 – CHEECH AND CHONG’S STILL SMOKIN ( CREATIVE FILM ARTS ) – FEATURE

POSITION : ANIMATION CAMERA DEPARTMENT DIRECTOR

 

1983 – CAN SHE BAKE A CHERRY PIE ( CREATIVE FILM ARTS ) – FEATURE

POSITION : ANIMATION CAMERA DEPARTMENT DIRECTOR

 

1983 – TWILIGHT ZONE, THE MOVIE ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : PRODUCED AND DIRECTED THE OPENING TITLE SEQUENCE FOR WARNER BROS. AND STEVEN SPIELBERG

 

1982 – WITHIN YOU WITHOUT YOU ( MILESTONE PRODUCTIONS ) – SHORT

POSITION : EXECUTIVE PRODUCER, PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATION AND VISUAL EFFECTS SUPERVISOR

 

1981 – FORD MOTORS ( GRAPHIC FILMS ) – COMMERCIAL

POSITION : PRODUCED, DIRECTED, MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER FOR THE FIRST ANIMATED OMNIMAX COMMERCIAL

 

1979 – A FORRY ACKERMANSION TOUR ( ANARAMA FILM PROD. ) – SHORT

POSITION : DIRECTOR, PRODUCER, WRITER, CINEMATOGRAPHER, AND ACTOR

 

1978 – DON’T STALK IN THE DARK ( ANARAMA FILM PROD. ) – FEATURE

POSITION : VISUAL EFFECTS PRODUCER, DIRECTOR, AND STOP MOTION SUPERVISOR

 

1978 – ROSELYN BAKERY ( ANARAMA FILM PROD. ) – 3 COMMERCIALS

POSITION : PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATION SUPERVISOR FOR HOMETOWN BAKERY CHAIN

 

1978 – SPACED ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : DIRECTOR, PRODUCER, WRITER, CINEMATOGRAPHER, AND ACTOR

 

1978 – THE MANGLER ( RAM-LIBRA PRODUCTIONS & ANARAMA FILM PROD. ) – SHORT FILM

POSITION : CINEMATOGRAPHER, VISUAL EFFECTS PRODUCER, DIRECTOR, AND STOP MOTION SUPERVISOR

 

1978 – SCHLOCKY ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : DIRECTOR, PRODUCER, WRITER, CINEMATOGRAPHER, AND ACTOR

 

 

 

 

1977 – PHORUSRHACOS ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATOR AND SUPERVISOR

 

1977 – LEONARDO DA VINCI IN A SPRAY CAN ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : DIRECTOR, PRODUCER, WRITER, CINEMATOGRAPHER, AND ACTOR

 

1977 – INDIANA HISTORY ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : DIRECTOR, PRODUCER, WRITER, AND CINEMATOGRAPHER

 

1976 – CREATURE BATTLE ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATOR AND SUPERVISOR

 

1975 – VOYAGE TO THE EDGE OF THE WORLD ( ANARAMA FILM PROD. ) – FEATURE FILM

POSITION : PRODUCER, DIRECTOR, WRITER, AND VISUAL EFFECTS / STOP MOTION SUPERVISOR

 

1975 – BEETLEMAN FIGHT ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : PRODUCER, DIRECTOR, WRITER, AND VISUAL EFFECTS / STOP MOTION ANIMATOR AND SUPERVISOR

 

1974 – MAGIC IMAGES ( ANARAMA FILM PROD. ) – 1971 TO 1974 STOP MOTION TESTS SHORT FILM

POSITION : PRODUCER, DIRECTOR, WRITER, AND STOP MOTION ANIMATOR AND SUPERVISOR

 

1974 – A DAY IN THE LIFE OF THE ELECTRO BEAST ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : PRODUCER, DIRECTOR, WRITER, VISUAL EFFECTS SUPERVISOR, AND ACTOR

 

1974 – THE  ELECTRO BEAST ( ANARAMA FILM PROD. ) – SHORT FILM

POSITION : PRODUCER, DIRECTOR, WRITER, CINEMATOGRAPHER, VISUAL EFFECTS SUPERVISOR, AND ACTOR

 

ANIMATION

 

1999 – “DAVE CONIFERS FILM” ( HAL MILES IMAGIMATION STUDIOS ) – STOP MOTION

POSITION: STOP MOTION ANIMATION ARMATURE DESIGNER AND FABRICATOR

 

1999 – “LARRY ARPIN FILM” ( HAL MILES IMAGIMATION STUDIOS ) – STOP MOTION

POSITION: STOP MOTION ANIMATION ARMATURE DESIGNER AND FABRICATOR

 

1996 – CONVERSE SHOES ( HAL MILES IMAGIMATION STUDIOS ) – COMMERCIAL

POSITION : STOP MOTION ANIMATION ARMATURE DESIGNER AND FABRICATOR

 

1991 – HORIZON ( BOSS FILM CORP. ) – JAPANESE AMUSEMENT PARK RIDE

POSITION : STOP MOTION PUPPET ARMATURE AND ANIMATRONIC SUPERVISOR

 

1991 – SAMSONITE ( BOSS FILM CORP. ) – COMMERCIAL

POSITION : STOP MOTION ANIMATION SUPERVISOR

 

1989 – NIGHTMARE ON ELM STREET 5 ( DOUG BESWICK PRODUCTIONS ) – FEATURE

POSITION : STOP MOTION REPLACEMENT ANIMATION CONSULTANT

 

1989 – GREMLINS II ( DOUG BESWICK PRODUCTIONS ) – FEATURE

POSITION : STOP MOTION PUPPETS ARMATURE SUPERVISOR

 

1988 – SUNDOWN ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : STOP MOTION PUPPETS ARMATURE SUPERVISOR

 

1987 – SPIFITS ( COAST EFFECTS ) – 3 COMMERCIAL

POSITION : STOP MOTION ANIMATOR AND STOP MOTION PUPPET ARMATURE SUPERVISOR

 

 

 

 

 

1986 – HOWARD THE DUCK ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : MOLECULAR TIME PORTAL ANIMATION AND MINIATURE SUPERVISOR, MOTION CONTROL CAMERA OPERATOR, PROGRAMMER, AND COMPOSITOR

 

1984 – THE PHILADELPHIA EXPIREMENT ( MAX ANDERSON EFFECTS ) – FEATURE

POSITION : MOTION CONTROL CAMERA OPERATOR AND PROGRAMMER

 

1984 – INTERGALACTIC ( WIZARD WORKS ) – FEATURE

POSITION : STOP MOTION ANIMATOR AND CINEMATOGRAPHER

 

1983 – CANNONBALL RUN 2 ( NOVOCOM ) – FEATURE

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1983 – FIAT OIL ( NOVOCOM ) – COMMERCIAL

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1983 – OBUNSHA ( NOVOCOM ) – COMMERCIAL

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1982 – FIGHT NIGHT ( CALICO CREATIONS ) – SHOW OPENING

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1982 – THE JOHN DAVIDSON SHOW ( CALICO CREATIONS ) – SHOW OPENING

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1982 – ROLLER BOOGIE ( CALICO CREATIONS ) – FEATURE

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1982 – BURT WARD T-SHIRT COMPANY ( CALICO CREATIONS ) – COMMERCIAL

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1981 – CBS SATURDAY MORNING ( CALICO CREATIONS ) – TELEVISION TAGS

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1981 – NFL FOOTBALL ( CALICO CREATIONS ) – SHOW OPENING

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1981 – SHULKE CABLE ( CALICO CREATIONS ) – 68 SYNDICATED NEWS OPENINGS

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1981 – SELECT TV CABLE ( CALICO CREATIONS ) – VARIOUS SHOW OPENINGS

POSITION : MOTION CONTROL SUPERVISOR, CAMERA OPERATOR, AND PROGRAMMER

 

1980 – CAVEMAN ( TREBES ENGINEERING ) – FEATURE

POSITION : STOP MOTION ANIMATION PUPPETS ARMATURE PARTS FABRICATOR

 

1980 – FANTASY ISLAND “INVISIBLE WOMAN” ( C.P.C. ASSOCIATES ) – TELEVISION SERIES

POSITION : MINATURE BUILDER, STAGE CINEMATOGRAPHER, OPTICAL CINEMATOGRAPHER, AND STOP MOTION ANIMATOR

 

1980 – SALVAGE 1 “ICEBERG” ( C.P.C. ASSOCIATES ) – TELEVISION SERIES

POSITION : MINATURE BUILDER AND STOP MOTION ANIMATOR

 

1980 – DENNYS ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : MINATURE BUILDER AND STOP MOTION ANIMATOR

 

1980 – SPACE RIDE ( C.P.C. ASSOCIATES ) – AMUSEMENT PARK SIMULATOR RIDE

POSITION : MINATURE BUILDER, STAGE CINEMATOGRAPHER, OPTICAL CINEMATOGRAPHER, AND STOP MOTION ANIMATOR

 

 

 

1980 – TETLEY TEA ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : STOP MOTION ANIMATOR

 

1979 – SKELLY GASOLINE ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : STOP MOTION ANIMATOR AND ASST. STAGE CINEMATOGRAPHER

 

1979 – MD BATH TISSUE “BUTTERFLIES”( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : STOP MOTION ANIMATOR, STOP MOTION ARMATURE AND PUPPET SUPERVISOR, AND MINATURE BUILDER

 

1979 – MD BATH TISSUE “SHEPERD BOY”( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : STOP MOTION ANIMATOR, STOP MOTION ARMATURE AND PUPPET SUPERVISOR, AND MINATURE BUILDER

 

1979 – MD BATH TISSUE “PUPPY’S”( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : STOP MOTION ANIMATOR, STOP MOTION ARMATURE AND PUPPET SUPERVISOR, AND MINATURE BUILDER

 

1979 – MRS. BUTTER-WORTH’S SYRUP ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : STOP MOTION ANIMATOR

 

1979 – PILLSBURY DOUGHBOY “LITTLE POPPY” ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : STOP MOTION ANIMATOR

 

1979 – CHUCKWAGON DOG FOOD ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : ASSISTANT STOP MOTION ANIMATOR , STOPMOTION ARMATURE AND PUPPET SUPERVISOR, AND ASSISTANT OPTICAL CINEMATOGRAPHER

 

1979 – ROCKETSHIP XM ( C.P.C. ASSOCIATES ) – FEATURE RESTORATION

POSITION : ASST. STAGE STOP MOTION CINEMATOGRAPHER

 

1979 – UNITROL OFFICE FURNITURE ( C.P.C. ASSOCIATES ) – INDUSTRIAL FILM

POSITION : MOTION CONTROL CAMERA OPERATOR AND PROGRAMMER

 

1978 – CHARMS ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : ASSISTANT STOP MOTION ANIMATOR

 

VISUAL EFFECTS

 

1998 – GODZILLA ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1997 – TITANIC ( DIGITAL DOMAIN ) – FEATURE

POSITION : FREELANCE DIGITAL COMPOSITOR

 

1997 – CITY OF ANGELS ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1997 – THE POSTMAN ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1997 – REPLACEMENT KILLERS ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1997 – AS GOOD AS IT GETS ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

 

 

 

1997 – CONTACT ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1997 – ANACONDA ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1996-1997 – STARSHIP TROOPERS ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1996 – THE GHOST AND THE DARKNESS ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1996 – MICHAEL ( SONY PICTURES IMAGEWORKS ) – FEATURE

POSITION : STAFF DIGITAL ARTIST

 

1982 – CREEPSHOW ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : MATTE PAINTING SUPERVISOR AND CINEMATOGRAPHER

 

1980 – SCARED TO DEATH ( DOUBLIN EFFECTS ) – FEATURE

POSITION : MODEL AND PROP BUILDER, ON SET PHYSICAL EFFECTS TECHNICIAN

 

1979 – BATTLE BEYOND THE STARS ( NEW WORLD EFFECTS ) – FEATURE

POSITION: PROP BUILDER

 

1979 – MAURADI HAM ( C.P.C. ASSOCIATES ) – 4 COMMERCIALS

POSITION : MINIATURE SETS BUILDER, PROPS BUILDER, AND ASST. STAGE CINEMATOGRAPHER

 

1979 – SPRITE LIMON ( C.P.C. ASSOCIATES ) – COMMERCIAL

POSITION : MODEL BUILDER

 

1979 – METEOR ( ROBERT COSTA PRODUCTIONS ) – FEATURE

POSITION : OPTICAL PRINTER COMPOSITOR

 

1979 – LASERIUM ( ROBERT COSTA PRODUCTIONS ) – COMMERCIAL

POSITION : OPTICAL PRINTER COMPOSITOR

 

1979 – LOVE AT FIRST BITE ( C.P.C. ASSOCIATES ) – FEATURE

POSITION : ASST. STAGE CINEMATOGRAPHER FOR ENDING BLUE SCREEN BAT’S SHOT

 

ANIMATRONIC & CREATURE EFFECTS

 

2015 – “RAINFOREST CAFE – JAKARTA” ( HAL MILES IMAGIMATION STUDIOS ) – THEMED RESTAURANT

POSITION: ANIMATRONIC PARROT, MACAW, TOUCAN, AND HORNBILL BIRDS DESIGNER, ENGINEER, AND INTERIOR & EXTERIOR FABRICATOR

 

2015 – “RAINFOREST CAFE – LAS VEGAS” (HAL MILES IMAGIMATION STUDIOS ) – THEMED RESTAURANT

POSITION: REFABRICATION ANIMATRONIC TRACY TREE INTERIOR & EXTERIOR FABRICATOR

 

2015 – “RAINFOREST CAFE – NIAGRA FALLS” (HAL MILES IMAGIMATION STUDIOS ) – THEMED RESTAURANT

POSITION: REFABRICATION ANIMATRONIC SNAKE INTERIOR & EXTERIOR FABRICATOR

 

2015 – “RAINFOREST CAFE – NIAGRA FALLS” (HAL MILES IMAGIMATION STUDIOS ) – THEMED RESTAURANT

POSITION: REFABRICATION ANIMATRONIC BABY LION INTERIOR & EXTERIOR FABRICATOR

 

 

 

 

 

2015 – “DENVER AQUARIUM AMERICAN EAGLE” ( HAL MILES IMAGIMATION STUDIOS ) – MUSEUM DISPLAY

POSITION: ANIMATRONIC EAGLE DESIGNER, ENGINEER, AND INTERIOR & EXTERIOR FABRICATOR

 

2011 – “BREAKING AT THE EDGE” ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION: ANIMATRONICS AND SPECIAL PROPS SUPERVISOR, DESIGNER, AND FABRICATOR

 

2001 – “JAY AND SILENT BOB STRIKE BACK” ( VINCENT GUASTINI PROD ) – FEATURE

POSITION: ANIMATRONIC SUPERVISOR FOR TALKING “SCOOBY DO” DOG AND ON SET PUPPETEER

 

2001 – “HAUNTED MANSION – OWL” (HAL MILES IMAGIMATION STUDIOS ) – DISNEY THEME PARK ATTRACTION

POSITION: REFABRICATION ANIMATRONIC SUPERVISOR AND FABRICATOR

 

2000 – “G-MEN FROM HELL” ( KRELL WONDERS ) – FEATURE

POSITION: ANIMATRONIC TECHNICIAN

 

2000 – “FREAKY LINKS – SQUIDMAN EPISODE” ( OPTIC NERVE STUDIOS ) – TV SERIES

POSITION: CREATURE EFFECTS SUPERVISOR AND ON SET PUPPETEER SUPERVISOR

 

2000 – “ANGEL – MELTING MAN EPISODE” ( OPTIC NERVE STUDIOS ) – TV SERIES

POSITION: ANIMATRONIC SUPERVISOR

 

2000 – “FREAKY LINKS – PTERADACTYL EPISODE” ( OPTIC NERVE STUDIOS ) – TV SERIES

POSITION: ANIMATRONIC SUPERVISOR

 

2000 – “TIKI ROOM – PARROT” ( HAL MILES IMAGIMATION STUDIOS ) – DISNEY THEME PARK ATTRACTION

POSITION: REFABRICATION ANIMATRONIC SUPERVISOR AND FABRICATOR

 

1999 – CHEER SOAP “SOCKS” ( SONY PICTURES COMMERCIALS ) – COMMERCIAL

POSITION: ANIMATRONIC EFFECTS SUPERVISOR

 

1999 – CHEER SOAP “ESCAPE” ( SONY PICTURES COMMERCIALS ) – COMMERCIAL

POSITION: ANIMATRONIC EFFECTS SUPERVISOR

 

1999 – THE INCREDIBLE GENIE ( ATLANTIC WEST EEFFECTS ) – FEATURE

POSITION : SCULPTOR AND MOLD MAKER

 

1998 – MARY LUNA ( IMAGE CREATORS ) – COLUMBIAN TELEVISION SERIES

POSITION : ANIMATRONIC SUPERVISOR

 

1998 – CHEERIOS ( IMAGE CREATORS ) – COMMERCIAL

POSITION : ANIMATRONIC SUPERVISOR

 

1998 – SPACEBABY ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : VISUAL EFFECTS AND ANIMATRONIC EFFECTS PRODUCER AND DIRECTOR

 

1997 – SEGA VIDEO GAME ( IMAGE CREATORS ) – COMMERCIAL

POSITION : ANIMATRONIC SUPERVISOR

 

1997 – KRAFT SUPER COW ( IMAGE CREATORS ) – COMMERCIAL

POSITION : ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER

 

1996 – FIVE LITTLE WITCHES ( ATLANTIC WEST EEFFECTS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR

 

1996 – LEPRECHAUN IV ( ATLANTIC WEST EEFFECTS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER SUPERVISOR

 

 

 

1996 – KRAA ( MARK RAPPAPORT EFFECTS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR

 

1995 – DARK SKIES ( MARK RAPPAPORT EFFECTS ) – TELEVISION SERIES

POSITION : ANIMATRONIC SUPERVISOR

 

1995 – MAGIC FOUNTAIN ( GARNER HOLT PROD. ) – AMUSEMENT PARK RIDE

POSITION : ANIMATRONIC TECHNICIAN

 

1995 – THAT DARN CAT ( DAVID KINDLON EFFECTS ) – FEATURE

POSITION : ANIMATION TECHNICIAN

 

1995 – ENERGY ASTRONAUTS ( DAVID KINDLON EFFECTS ) – EPCOT RIDE

POSITION : ANIMATRONIC SUPERVISOR

 

1995 – PLEDGE TABLE WAX ( DAVID KINDLON EFFECTS ) – COMMERCIAL

POSITION : ANIMATRONIC SUPERVISOR

 

1995 – MERCEDES BENZ ( DOUG WHITE EFFECTS ) – COMMERCIAL

POSITION : ANIMATRONIC SUPERVISOR

 

1995 – DUSK TIL DAWN ( DAVID KINDLON EFFECTS ) – FEATURE

POSITION : ANIMATRONIC TECHNICIAN

 

1995 – GOLDEN GRAHAMS ( DAVID KINDLON EFFECTS ) – COMMERCIAL

POSITION : ANIMATRONIC TECHNICIAN

 

1995 – NATIONAL DAIRY ASSOC. ( DOUG WHITE EFFECTS ) – 3 COMMERCIALS

POSITION : ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER SUPERVISOR FOR 2 FULL SCALE MECHANICAL COMEDIC COWS

 

1995 – ALL SPORT ( DOUG WHITE EFFECTS ) – COMMERCIAL

POSITION : ANIMATRONIC PROP BUILDER

 

1994 – PREHYSTERIA III ( MARK RAPPAPORT EFFECTS ) – FEATURE

POSITION : STOP MOTION AND ANIMATRONIC DINOSAUR SUPERVISOR

 

1994 – MIGHTY MORPHIN POWER RANGERS: THE MOVIE ( OPTIC NERVE EFFECTS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR

 

1994 – JOSH KIRBY….TIME WARRIOR: CHAPTER 1 – CHAPTER 6 ( MARK RAPPAPORT EFFECTS ) – FEATURES

POSITION : ANIMATRONIC SUPERVISOR AND ROMANIAN LOCATION PUPPETEER SUPERVISOR.

 

1994 – PEPSI, DOLLAR BILL ( HAL MILES IMAGIMATION STUDIOS ) – SUPER BOWL XXIX(1995) COMMERCIAL

POSITION : ANIMATRONIC AND MECHANICAL EFFECTS SUPERVISOR

 

1994 – ENERGIZER BUNNY ( ALL EFFECTS ) – COMMERCIAL

POSITION : LOCATION PUPPETEER

 

1994 – TALL TALES ( OPTIC NERVE EFFECTS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER

 

1993 – LITTLE CEASERS PIZZA ( MAKEUP EFFECTS LAB ) – COMMERCIAL

POSITION : ANIMATRONIC TECHNICIAN

 

1993 – CATHEDRAL ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : MAKEUP EFFECTS AND VISUAL EFFECTS SUPERVISOR

 

 

 

1992 – BODY SNATCHERS ( BURMAN STUDIOS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER

 

1991 – ERNEST SCARED STUPID ( CHIODO BROTHERS EFFECTS ) – FEATURE

POSITION : ANIMATRONIC TECHNICIAN

 

1991 – ALIEN 3 ( BOSS FILM CORP. ) – FEATURE

POSITION : CREATURE AND MINIATURE ARMATURE DESIGNER AND FABRICATOR

 

1991 – TALES FROM THE CRYPT ( BOSS FILM CORP. ) – COMMERCIAL

POSITION : ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER SUPERVISOR

 

1991 – TERMINATOR II 3-D ( STAN WINSTON STUDIOS ) – UNIVERSAL STUDIOS ATTRACTION

POSITION : ANIMATRONIC CO-SUPERVISOR AND TECHNICIAN

 

1990 – TERMINATOR II ( STAN WINSTON STUDIOS ) – FEATURE

POSITION : ANIMATRONIC CO-SUPERVISOR AND TECHNICIAN

 

1990 – THE ALIEN WITHIN ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : CREATURE EFFECTS SUPERVISOR AND LOCATION PUPPTEER SUPERVISOR

 

1989 – THE GAURDIAN ( IMAGE ENGINEERING ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR

 

1989 – SHIVERS ( XFX INC. ) – TELEVISION PILOT

POSITION : ANIMATRONIC SUPERVISOR AND LEAD PUPPETEER

 

1989 – COOLWHIP ( XFX INC. ) – 3 COMMERCIALS

POSITION : ANIMATRONIC SUPERVISOR AND LEAD PUPPETEER

 

1989 – THE ABYSS ( XFX INC. ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR AND LEAD PUPPETEER

 

1988 – SPACED INVADERS ( CRISWELL EFFECTS ) – FEATURE

POSITION : ANIMATRONIC TECHNICIAN

 

1988 – LICENSE TO KILL ( LANCE ANDERSON EFFECTS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR

 

1988 – THE BLOB ( LYLE CONWAY EFFECTS ) – FEATURE

POSITION : ANIMATRONIC TECHNICIAN

 

1988-1987 – LEVIATHAN ( STAN WINSTON STUDIOS ) – FEATURE

POSITION : ANIMATRONIC TECHNICIAN

 

1987 – 976-EVIL ( KEVIN YAGHER PRODUCTIONS ) – FEATURE

POSITION : ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER

 

1987 – SLUMBER PARTY II ( HAL MILES IMAGIMATION STUDIOS ) – FEATURE

POSITION : ANIMATRONIC PRODUCER, DIRECTOR, AND LOCATION PUPPETEER SUPERVISOR

 

1987 – THE GARBAGE PAIL KIDS MOVIE ( MMI INC. ) – FEATURE

POSITION : CO-ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER

 

1987 – CELLAR DWELLAR ( MMI INC. ) – FEATURE

POSITION : CO-ANIMATRONIC SUPERVISOR AND LOCATION PUPPETEER

 

1987 – PULSE POUNDERS ( MMI INC. ) – FEATURE

POSITION : CO-ANIMATRONIC SUPERVISOR

 

 

 

1987 – DEADLY WEAPON ( MMI INC. ) – FEATURE

POSITION : CO-ANIMATRONIC SUPERVISOR

 

1987 – PRISON ( MMI INC. ) – FEATURE

POSITION : CO-ANIMATRONIC SUPERVISOR

 

1984 – FORCE OF DARKNESS ( HAL MILES EFFECTS ) – FEATURE

POSITION : MAKEUP EFFECTS SUPERVISOR AND DESIGNER

 

INVENTOR

 

2001 – 24P DIGITAL STOP-MOTION ANIMATION ( SAVANNAH COLLEGE OF ART AND DESIGN ) – INVENTION

POSITION : DEVISED NEW TECHNIQUE FOR DIGITALLY PHOTOGRAPHING CONVENTIONAL STOP MOTION ANIMATION USING THE 24P PROCESS

 

1991 – DIGITAL STOP-MOTION ANIMATION ( HAL MILES IMAGIMATION STUDIOS ) – INVENTION

POSITION : INVENTED NEW DIGITAL PHOTOGRAPHIC TECHNIQUE FOR CAPTURING CONVENTIONAL STOP MOTION ANIMATION

 

1981 – INTROVISION FRONT PROJECTION SYSTEM RE-ENGINEERED AND FABRICATION (INTROVISION CORP.) – INVENTION

POSITION: RE-ENGINEERED AND FABRICATED THE ALREADY EXISTING SYSTEM FOR USE ON THE SCIENCE FICTION FEATURE FILM PRODUCTION OUTLAND.

 

1981 – OMNIMAX SLITSCAN MOTION CONTROL CAMERA SYSTEM ( GRAPHIC FILMS ) – INVENTION

POSITION : ENGINEERED, BUILT, PROGRAMMED, AND OPERATED THE FIRST OMNIMAX MOTION CONTROL SYSTEM IN EXISTANCE FOR THE PRODUCTION OF MOTION CONTROL SLIT SCAN EFFECTS.

 

1980 – TREBES MANUFACTURING – MOTION PICTURE EQUIPMENT

POSITION : MECHANICAL ENGINEERING AND CONSTRUCTION OF SPECIAL VISUAL EFFECTS EQUIPMENT

 

EDUCATOR

 

2003 to 2013 – PROFESSOR OF VISUAL EFFECTS, ANIMATION, AND ANIMATRONICS (SAVANNAH COLLEGE OF ART AND DESIGN)

POSITION : PROFESSOR OF VISUAL EFFECTS, ANIMATION,  AND ANIMATRONICS

 

2001-2003 – “SAVANNAH COLLEGE OF ART AND DESIGN” – SPECIAL POSITION

POSITION: SPECIAL PROJECT SUPERVISOR AND TECHNICAL DIRECTOR FOR COMPUTER ART AND THE FILM AND DIGITAL MEDIA DEPARTMENTS.

 

_______________________________________________________________________________________________________________________________________

 

EDUCATION

 

2003 – SOUTHERN ASSOCIATION OF COLLEGES AND SCHOOLS JUSTIFIED BACHLERS AND MASTERS DEGREES IN VISUAL EFFECTS AND ANIMATION – SAVANNAH COLLEGE OF ART AND DESIGN (SAVANNAH, GEORGIA)

 

1978 – GENERAL EDUCATION – WARREN CENTRAL HIGH SCHOOL (INDIANPOLIS, INDIANA)

  • Animation
  • Updated 1 year ago

To contact this candidate email iaahalmiles@netzero.com

Contact using webmail: Gmail / AOL / Yahoo / Outlook